But Pusha T isn’t the first to say cruel things about an opponent, and he certainly won’t be the last. Many in the culture often believe that the only real threshold is physical violence, and maybe that should be reevaluated in an era where listeners are becoming more thoughtful and informed on social issues and decorum. It’s also worth noting how women are so often used as pawns in such missions of conquest. There are definitely conversations worth having about whether or not hip-hop should embrace such levels of disrespect. Catch the entire episode on Spike and the Paramount Network on Thursday at 10 p.m. That’s a sick burn from the eldest Ball brotherand one for which even LaVar has only a weak retort. If I was Nas, Zo says, I would be mad he put on a performance like that on my song. “If we all go to hell it’ll be worth it,” he shrugs near the end of the record. Lonzo, though, doesn’t take his dad’s diss sitting down. Pusha T knows he’s taking low blows on “The Story of Adidon,” and he embraces the idea with no shame. Crew members have gotten smoke too (see the members of D12 on Royce da 5’9”’s “Malcolm X,” for example), but rarely to the level that 40 did here. To the rap you wrote, your fuckin' answer back’s a jokeīut even those disses were aimed at the rappers themselves, not their producers.

Heart attack to stroke from the crack you smoke The second single for I Am was 'Hate Me Now,' featuring Sean 'Puffy' Combs (now 'Diddy'), was used as an example by Nas critics for moving towards commercial themes.

Nas hate me now firm diss